vince pitelka on wed 10 jan 01
> But then fine art in wood is different from fine art in clay and, yes,
they
> should be true to their origins and material. That is where wheel throwing
> with as little turning as possible comes in. One day I may go down that
> road, but at present, I'm trying to produce a high quality usable article,
> something better than they can buy in Woolworths.
Martin -
I support you in whatever way you work, because to make things by hand with
love and commitment always elevates the experience of use so far above the
Woolworths product. I didn't send that message to change your mind, or
even show you something new, because judging from your posts you seem well
motivated and fulfilled in the direction of your work.
It is the compulsive teacher in me. I posted that response to your first
message because I want people to recognize their own potential, rather than
the wheel's potential. I have always been a machine nut, and for many years
I made pots which were very symmetrical and uniform - very machine-like.
Now I look at my early work and it looks conservative but competent. It
looks safe. I didn't take any risks. Fortunately I have learned a lot
since then.
When we are learning to throw, it is logical to seek symmetry and
perfection, but one of the things I always struggle with as a teacher is the
challenge of getting students to consciously determine every aspect of their
wheel aesthetic, rather than just accepting what the wheel lets them to do.
I look at the wonderful work of Michael Simon, Jeff Oestreich, Brad
Schwieger, Ron Meyers, Linda Christianson, Matt Long, Janet Mansfield, and
so many others, and it pleases me so to see the wheel used with such
expressive energy. Them's fine pots!
Best wishes -
- Vince
Vince Pitelka
Home - vpitelka@dekalb.net
615/597-5376
Work - wpitelka@tntech.edu
615/597-6801 ext. 111, fax 615/597-6803
Appalachian Center for Crafts
Tennessee Technological University
1560 Craft Center Drive, Smithville TN 37166
http://www.craftcenter.tntech.edu/
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