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yellow ochre question

updated tue 16 nov 99

 

Pottery by Dai on sat 13 nov 99

Hi - I've looked in the archives and can't find a mention of yellow ochre.
My Illustrated Dictionary of Practical Pottery (Fournier) states it's a form
of iron. Does anyone use it to make a cream-coloured glaze? I've been
doing trials with rutile added to a basic white glaze (Plainsman's 77C04),
and while the trials aren't finished yet, I think when I do finally get it
dark enough, it will be more of a tan than cream. I'm looking for a really
rich cream ^6 semi-gloss or gloss that is almost yellow (would that be
butter-cream? ). Any help that will shorten up this testing process will
be appreciated! Thanks...
Dai in Kelowna, B.C.
potterybydai@home.com
I started out with nothing, and I still have most of it left.

Rudy Bauer on sun 14 nov 99

Not to directly answer your question but I was in Montana this summer
digging slip glazes when I ran across a Montana potter in Whitefish who
actually digs a "yellow ochre" which he showed us. He uses it as a
colorant. I was ablt to locate some yellow clay balls in a bank at Tally
Lake which when fired come out more clear than yellow. We also have clays
from Somers and Big Fork which have a yellow to gold color when fired to
cone 10. I'm currently using these clays to contrast the brown to yellow
firing clay we use as a slip glaze. Rutile added to these give a beautiful
yellow to green color. Let me know if you are interested in these naturally
available clays and more info on what we've been doing with them. I'm test
firing some of these clays this weekend with Mason stains of ambrosia and
vanadium yellow to see what comes out. At 11:46 PM 11/13/99 -0500, you wrote:
>----------------------------Original message----------------------------
>Hi - I've looked in the archives and can't find a mention of yellow ochre.
>My Illustrated Dictionary of Practical Pottery (Fournier) states it's a form
>of iron. Does anyone use it to make a cream-coloured glaze? I've been
>doing trials with rutile added to a basic white glaze (Plainsman's 77C04),
>and while the trials aren't finished yet, I think when I do finally get it
>dark enough, it will be more of a tan than cream. I'm looking for a really
>rich cream ^6 semi-gloss or gloss that is almost yellow (would that be
>butter-cream? ). Any help that will shorten up this testing process will
>be appreciated! Thanks...
>Dai in Kelowna, B.C.
>potterybydai@home.com
>I started out with nothing, and I still have most of it left.
>

Don & June MacDonald on mon 15 nov 99

I have used yellow ochre in place of rutile as a colouring agent in a
previously white glaze, making it ivory, or cream. As rutile has
titanium in it, the titanium changes the glaze texture and surface more
than the yellow ochre. A small amount (.5%) modified the glaze colour
sufficient for my needs.

I did get a yellow on a light clay body with the following recipe (from
Clayart):

Peachy Keen Cone 6 oxidation

Custer Spar 45
Gerstley Borate 13
Whiting 8
Dolomite 6
EPK 3
Silica 19
Bentonite 1
Rutile 8
Zircopax 6 (I rounded out the decimals)

June

Pottery by Dai wrote:
>
> ----------------------------Original message----------------------------
> Hi - I've looked in the archives and can't find a mention of yellow ochre.
> My Illustrated Dictionary of Practical Pottery (Fournier) states it's a form
> of iron. Does anyone use it to make a cream-coloured glaze? I've been
> doing trials with rutile added to a basic white glaze (Plainsman's 77C04),
> and while the trials aren't finished yet, I think when I do finally get it
> dark enough, it will be more of a tan than cream. I'm looking for a really
> rich cream ^6 semi-gloss or gloss that is almost yellow (would that be
> butter-cream? ). Any help that will shorten up this testing process will
> be appreciated! Thanks...
> Dai in Kelowna, B.C.
> potterybydai@home.com
> I started out with nothing, and I still have most of it left.

Linda Blossom on mon 15 nov 99

My experience with yellow ochre is that it may warm up a white but not
necessarily produce a cream color. The glaze base really has a lot to do
with it. I use a light rutile(10%)in a glaze to make a creamy colored glaze
with no trouble so perhaps it is the base that needs to be looked at.

Linda Blossom
2366 Slaterville Rd
Ithaca, NY 14850
607-539-7912
blossom@twcny.rr.com




-----Original Message-----
From: Pottery by Dai
To: CLAYART@LSV.UKY.EDU
Date: Saturday, November 13, 1999 11:45 PM
Subject: yellow ochre question


>----------------------------Original message----------------------------
>Hi - I've looked in the archives and can't find a mention of yellow ochre.
>My Illustrated Dictionary of Practical Pottery (Fournier) states it's a
form
>of iron. Does anyone use it to make a cream-coloured glaze? I've been
>doing trials with rutile added to a basic white glaze (Plainsman's 77C04),
>and while the trials aren't finished yet, I think when I do finally get it
>dark enough, it will be more of a tan than cream. I'm looking for a really
>rich cream ^6 semi-gloss or gloss that is almost yellow (would that be
>butter-cream? ). Any help that will shorten up this testing process
will
>be appreciated! Thanks...
>Dai in Kelowna, B.C.
>potterybydai@home.com
>I started out with nothing, and I still have most of it left.
>

Pottery by Dai on mon 15 nov 99

Thanks for the offer, Rudy, but I think I'd better stick with trying either
rutile or ochre/iron oxide for this quest. I have enough trouble getting
glazes to work without introducing "unknown" ingredients. But I really
appreciate the offer. I'll bet some of the glaze gurus (you know, those
guys who know what they're doing in the glaze department) might be
interested in trying some yellow native clay---sounds interesting.
Dai in Kelowna, BC., wondering why I'm not leaving this project till
January.........
-----Original Message-----
From: Rudy Bauer
To: CLAYART@LSV.UKY.EDU
Date: Sunday, November 14, 1999 5:39 PM
Subject: Re: yellow ochre question


----------------------------Original message----------------------------
Not to directly answer your question but I was in Montana this summer
digging slip glazes when I ran across a Montana potter in Whitefish who
actually digs a "yellow ochre" which he showed us. He uses it as a
colorant. I was ablt to locate some yellow clay balls in a bank at Tally
Lake which when fired come out more clear than yellow. We also have clays
from Somers and Big Fork which have a yellow to gold color when fired to
cone 10. I'm currently using these clays to contrast the brown to yellow
firing clay we use as a slip glaze. Rutile added to these give a beautiful
yellow to green color. Let me know if you are interested in these naturally
available clays and more info on what we've been doing with them. I'm test
firing some of these clays this weekend with Mason stains of ambrosia and
vanadium yellow to see what comes out. At 11:46 PM 11/13/99 -0500, you
wrote:
>----------------------------Original message----------------------------
>Hi - I've looked in the archives and can't find a mention of yellow ochre.
>My Illustrated Dictionary of Practical Pottery (Fournier) states it's a
form
>of iron. Does anyone use it to make a cream-coloured glaze? I've been
>doing trials with rutile added to a basic white glaze (Plainsman's 77C04),
>and while the trials aren't finished yet, I think when I do finally get it
>dark enough, it will be more of a tan than cream. I'm looking for a really
>rich cream ^6 semi-gloss or gloss that is almost yellow (would that be
>butter-cream? ). Any help that will shorten up this testing process
will
>be appreciated! Thanks...
>Dai in Kelowna, B.C.
>potterybydai@home.com
>I started out with nothing, and I still have most of it left.
>

Richard Jeffery on mon 15 nov 99

While you're doing your research, try looking for French potters around
Rousillon - just east of Avignon.
Rousillon is a small town perched on a hill of ochres, from reds to
yellows - much involved in the fabrication of good quality oil paints and
water colours.

I know local potters use it in their glazes - I bought some pots - but no
idea of techniques, and I no longer have their addresses.

Richard

Bournemouth UK

> -----Original Message-----
> From: Ceramic Arts Discussion List
> [mailto:CLAYART@LSV.UKY.EDU]On Behalf
> Of Rudy Bauer
> Sent: 15 November 1999 01:39
> To: CLAYART@LSV.UKY.EDU
> Subject: Re: yellow ochre question
>
>
> ----------------------------Original
> message----------------------------
> Not to directly answer your question but I was in Montana this summer
> digging slip glazes when I ran across a Montana potter in
> Whitefish who
> actually digs a "yellow ochre" which he showed us. He uses it as a
> colorant. I was ablt to locate some yellow clay balls in a
> bank at Tally
> Lake which when fired come out more clear than yellow. We
> also have clays
> from Somers and Big Fork which have a yellow to gold color
> when fired to
> cone 10. I'm currently using these clays to contrast the
> brown to yellow
> firing clay we use as a slip glaze. Rutile added to these
> give a beautiful
> yellow to green color. Let me know if you are interested in
> these naturally
> available clays and more info on what we've been doing with
> them. I'm test
> firing some of these clays this weekend with Mason stains of
> ambrosia and
> vanadium yellow to see what comes out. At 11:46 PM 11/13/99
> -0500, you wrote:
> >----------------------------Original
> message----------------------------
> >Hi - I've looked in the archives and can't find a mention of
> yellow ochre.
> >My Illustrated Dictionary of Practical Pottery (Fournier)
> states it's a form
> >of iron. Does anyone use it to make a cream-coloured glaze?
> I've been
> >doing trials with rutile added to a basic white glaze
> (Plainsman's 77C04),
> >and while the trials aren't finished yet, I think when I do
> finally get it
> >dark enough, it will be more of a tan than cream. I'm
> looking for a really
> >rich cream ^6 semi-gloss or gloss that is almost yellow
> (would that be
> >butter-cream? ). Any help that will shorten up this
> testing process will
> >be appreciated! Thanks...
> >Dai in Kelowna, B.C.
> >potterybydai@home.com
> >I started out with nothing, and I still have most of it left.
> >
>