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shino and functionality

updated thu 9 sep 99

 

Christopher M. Rose on tue 7 sep 99

Fellow Clayarters,

Hello from (finally wet but still hot and muggy) Baltimore!

I have a question regarding high-fire shino glazes. Most 'modern' shino

recipes (such as those of M. Davis, Shaner, Gustin) tend to
crawl in the concavities of a pot -- say, on the interiors of cups and
bowls.
A particularly troublesome area is around the bottom of a cylinder,
where
the wall and the floor of a piece meet. Do any of you have strategies
you
would be willing to share about how to 'smooth' out these trouble spots,

without losing the essential 'shino-ness' of the glaze? I'd be much
obliged
for any and all input!

( I am firing ^10 reduction in gas and wood kilns here at the B'more
Clayworks.)

Christopher M. Rose

(Where did my summer go?)

Dale A. Neese on wed 8 sep 99

How about using a contrasting glaze on the lower 3rd of the cylinder,
perhaps an Iron saturate, or black? The overlap of the two glazes gives a
nice effect. Glaze the inside first with a sanitary food safe white.
Dale Tex

Lee Love on wed 8 sep 99

------------------

----- Original Message -----
From: Christopher M. Rose =3Crambunctious=40earthlink.net=3E

=3E I have a question regarding high-fire shino glazes. Most 'modern' shino
=3E
=3E recipes (such as those of M. Davis, Shaner, Gustin) tend to
=3E crawl in the concavities of a pot --

Most of my shinos don't crawl unless you put them on too thick or
put them on a dusty pot. I sometimes use Malcolm's recipes, but don't have
too much trouble with crawling if I apply the glaze thinly.

/(o=5C=A7 Lee In Saint Paul, Minnesota USA =B0
=5Co)/=A7 mailto:Ikiru=40Kami.com ICQ=23 20586182
=A7 http://hachiko.com
=22I am a man: nothing human is alien to me.=22
- Heauton Timoroumenos

Ilene Mahler on wed 8 sep 99

Comming back from a workshop at Sierra Nevada Colledge in LaKE Tahoe with
Tom Coleman I did about 25 pots not one crawed crazed n side outside or
sidways maybe the clay and glaze are not suitable You can also try wiping
the inside of the pot to make sure there is no dust etc..Ilene in Conn.....


At 03:00 PM 09/07/1999 EDT, Christopher M. Rose wrote:
>----------------------------Original message----------------------------
>Fellow Clayarters,
>
>Hello from (finally wet but still hot and muggy) Baltimore!
>
>I have a question regarding high-fire shino glazes. Most 'modern' shino
>
>recipes (such as those of M. Davis, Shaner, Gustin) tend to
>crawl in the concavities of a pot -- say, on the interiors of cups and
>bowls.
>A particularly troublesome area is around the bottom of a cylinder,
>where
>the wall and the floor of a piece meet. Do any of you have strategies
>you
>would be willing to share about how to 'smooth' out these trouble spots,
>
>without losing the essential 'shino-ness' of the glaze? I'd be much
>obliged
>for any and all input!
>
>( I am firing ^10 reduction in gas and wood kilns here at the B'more
>Clayworks.)
>
>Christopher M. Rose
>
>(Where did my summer go?)
>
>