Ric Swenson on thu 20 dec 07
<84c965b0712190533o1972fc74v6453376f5a37cb3d@mail.gmail.com>
<84c965b0712190618mbfb58f3s43a1df41cb5d6c6c@mail.gmail.com>
<49205.70.238.150.127.1198088089.squirrel@webmail.dtccom.net>
<004b01c842ac$fe93b400$6601a8c0@KebanatrixMk2>
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To accentuate a crackled glaze I heat the piece up and then paint black car=
bon ink on the surface with a brush.=20
=20
Also... You can thin the black ink for a slightly different effect. ..or u=
se red or green ink?
=20
Some people use strong tea to get a lighter effect. Some folks put the piec=
e in a metal pot and boil the tea to hasten the effect.
=20
You can also use finely ground stain...(Masons....or copper carb, Cobalt..=
.etc.) rub it in and then re-fire.
=20
"Crazing is a defect and crackle is an effect." to quote F.C Ball, 1975
=20
Regards,
=20
Ric
=20
"...then fiery expedition be my wing, ..." Wm. Shakespeare, RICHARD III, Ac=
t IV Scene III Richard H. ("Ric") Swenson, Teacher, Office of Internationa=
l Cooperation and Exchange of Jingdezhen Ceramic Institute, TaoYang Road, E=
astern Suburb, Jingdezhen City.JiangXi Province, P.R. of China. Postal code=
333001. Mobile/cellular phone :13767818872 < RicSwenson0823@hotmail.com>
> Date: Wed, 19 Dec 2007 21:06:54 -0500> From: kmhitzeman@AMERITECH.NET> Su=
bject: Re: Fwd: Crazing and the Responsible Potter.> To: CLAYART@LSV.CERAMI=
CS.ORG> > Does anyone have experience inking crazed glazes? Dump straight-u=
p ink in> to the bowl and let it sit to soak up the ink? Cut it with water?=
> > I figure I may as well play around with the crazed glaze now that I hav=
e it!> > Keba> > > ::::::::::::::::::::::::::::::::::::::::::::::::::::::::=
:::> Keba M. Hitzeman> Dayton OH> > Spanish - www.keba.hitzeman.com> Cerami=
cs - yellowroomarts.blogspot.com> Coffee - coffee@engima22.com> > > People =
sleep peaceably in their beds at night only because rough men stand> ready =
to do violence on their behalf.> George Orwell> > > > <))><> > -----Origina=
l Message-----> From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf O=
f Vince Pitelka> Sent: Wednesday, 19 December, 2007 13:15> To: CLAYART@LSV.=
CERAMICS.ORG> Subject: Re: Fwd: Crazing and the Responsible Potter.> > Lee =
Love wrote:> > Quality standards are much higher here in Japan, but in all =
of> > Asia, it is understood that crazing can be an esthetically desired> >=
aspect of a glaze. I saw a wonderul Ming vase at the Mitsui> > Memorial Mu=
seum, of the Ataka collection from the Osaka. It was blue> > and had dark c=
raze lines, spaced far apart. There was another white> > bowl with black cr=
aze lines, maybe inked so they would stand out. It> > reminded me of my TAk=
fat white reduction Raku pieces.> > Lee -> This brings to mind all those a=
mazing variations in crazing that we see on> southern Song Dynasty ware. Th=
e patrons in the Southern Song court> favored those craze patterns because =
of their similarity to the internal> fracture planes in beloved variations =
of jade. That's just another> example of the aesthetic appreciation for cra=
zing.> - Vince> > --> Vince Pitelka> Appalachian Center for Craft> Tennesse=
e Technological University> vpitelka@dtccom.net> http://iweb.tntech.edu/wpi=
telka/> > _________________________________________________________________=
___________> __> Clayart members may send postings to: clayart@lsv.ceramics=
.org> > You may look at the archives for the list, post messages, or change=
your> subscription settings here: http://www.acers.org/cic/clayart/> > Mod=
erator of the list is Mel Jacobson who may be reached at> melpots2@visi.com=
> > _______________________________________________________________________=
_______> Clayart members may send postings to: clayart@lsv.ceramics.org> > =
You may look at the archives for the list, post messages, or change your> s=
ubscription settings here: http://www.acers.org/cic/clayart/> > Moderator o=
f the list is Mel Jacobson who may be reached at melpots2@visi.com
_________________________________________________________________
Don't get caught with egg on your face. Play Chicktionary!
http://club.live.com/chicktionary.aspx?icid=3Dchick_wlhmtextlink1_dec=
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Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
To accentuate a crackled glaze I heat the piece u=
p and then paint black carbon ink on the surface with a brush. R>
Also... You can thin the black ink for a slightly different effect.&nb=
sp; ..or use red or green ink?
Some people use strong tea to get a lighter effect. Some folks pu=
t the piece in a metal pot and boil the tea to hasten the effect.
You can also use finely ground stain...(Masons....or copper carb, Cob=
alt...etc.) rub it in and then re-fire.
"Crazing is a defect and crackle is an effect." to quote F.C Ball, 19=
75
Regards,
Ric
"...then fiery expedition be my wing, ..."
Wm. Shakespeare, RIC=
HARD III, Act IV Scene III
Richard H. ("Ric") Swenso=
n, Teacher,
Office of International Cooperation and Exchange of Jingdez=
hen Ceramic Institute,
TaoYang Road, Eastern Suburb, Jingdezhen City.R>JiangXi Province, P.R. of China.
Postal code 333001.
Mobile/c=
ellular phone :13767818872
< RicSwenson0823@hotmail.com><=
BR>
> Date: Wed, 19 Dec 2007 21:06:54 -0500
> From: kmhitzeman@AMERITE=
CH.NET
> Subject: Re: Fwd: Crazing and the Responsible Potter.
>=
; To: CLAYART@LSV.CERAMICS.ORG
>
> Does anyone have experience=
inking crazed glazes? Dump straight-up ink in
> to the bowl and let =
it sit to soak up the ink? Cut it with water?
>
> I figure I m=
ay as well play around with the crazed glaze now that I have it!
> R>> Keba
>
>
> :::::::::::::::::::::::::::::::::::::=
::::::::::::::::::::::
> Keba M. Hitzeman
> Dayton OH
> <=
BR>> Spanish - www.keba.hitzeman.com
> Ceramics - yellowroomarts.b=
logspot.com
> Coffee - coffee@engima22.com
>
>
> =
People sleep peaceably in their beds at night only because rough men stand<=
BR>> ready to do violence on their behalf.
> George Orwell
>=
>
>
> <))><
>
> -----Original M=
essage-----
> From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Beha=
lf Of Vince Pitelka
> Sent: Wednesday, 19 December, 2007 13:15
>=
; To: CLAYART@LSV.CERAMICS.ORG
> Subject: Re: Fwd: Crazing and the Re=
sponsible Potter.
>
> Lee Love wrote:
> > Quality sta=
ndards are much higher here in Japan, but in all of
> > Asia, it i=
s understood that crazing can be an esthetically desired
> > aspec=
t of a glaze. I saw a wonderul Ming vase at the Mitsui
> > Memoria=
l Museum, of the Ataka collection from the Osaka. It was blue
> > =
and had dark craze lines, spaced far apart. There was another white
>=
> bowl with black craze lines, maybe inked so they would stand out. It<=
BR>> > reminded me of my TAk fat white reduction Raku pieces.
>=
> Lee -
> This brings to mind all those amazing variations in=
crazing that we see on
> southern Song Dynasty ware. The patrons in =
the Southern Song court
> favored those craze patterns because of the=
ir similarity to the internal
> fracture planes in beloved variations=
of jade. That's just another
> example of the aesthetic appreciation=
for crazing.
> - Vince
>
> --
> Vince Pitelka
=
> Appalachian Center for Craft
> Tennessee Technological Universit=
y
> vpitelka@dtccom.net
> http://iweb.tntech.edu/wpitelka/
&=
gt;
> ______________________________________________________________=
______________
> __
> Clayart members may send postings to: cla=
yart@lsv.ceramics.org
>
> You may look at the archives for the=
list, post messages, or change your
> subscription settings here: ht=
tp://www.acers.org/cic/clayart/
>
> Moderator of the list is M=
el Jacobson who may be reached at
> melpots2@visi.com
>
>=
; _________________________________________________________________________=
_____
> Clayart members may send postings to: clayart@lsv.ceramics.or=
g
>
> You may look at the archives for the list, post messages=
, or change your
> subscription settings here: http://www.acers.org/c=
ic/clayart/
>
> Moderator of the list is Mel Jacobson who may =
be reached at melpots2@visi.com
Don't get caught with eg=
g on your face. Play Chicktionary! nary.aspx?icid=3Dchick_wlhmtextlink1_dec' target=3D'_new'>Check it out!=
=
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