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burning clay as you throw it????

updated thu 8 nov 07

 

Nancy on sun 4 nov 07


I am a member of a guild in NY and at a recent show I saw some pots that
looked like worn bark but only certain areas. Other areas were smooth
and glazed while the bark area had been washed with an oxide. The
person who would share some but not all just said, I burn it right after
I throw it.

Can anyone provide me withmore information? I understand it's a pretty
common thing but I've never tried it and would love to. I'm thinking
just take my heat gun and take the clay from freshly thrown to almost
dry in the quickest possible way???

Thanks in advance for all your help.

Nancy

Lee Love on sun 4 nov 07


Do you mean they torch the surface?


--
Lee in Minneapolis, Minnesota USA

"Men are born ignorant, not stupid. They are made stupid by
education." -- Bertrand Russell

Dolita Dohrman on sun 4 nov 07


I get this effect using sodium silicate. Got the idea out of Robin
Hopper's book 'Making Marks'. It is a page on the technique Randy
Brodnax uses. Brush the sodium silicate on a cylinder before you
expand it. In order to get smooth and rough, only do it in patches.
Use your heat gun to dry those areas, then expand. You will get a
different effect every time. Just be sure to clean up the sodium
silicate off brushes and bats right away. I keep my brush in water
while I am throwing if I am doing more than one pot. Feel free to
email me if you need more info.
Dolita

On Nov 4, 2007, at 7:54 AM, Nancy wrote:

> I am a member of a guild in NY and at a recent show I saw some pots
> that
> looked like worn bark but only certain areas. Other areas were smooth
> and glazed while the bark area had been washed with an oxide. The
> person who would share some but not all just said, I burn it right
> after
> I throw it.
>
> Can anyone provide me withmore information? I understand it's a
> pretty
> common thing but I've never tried it and would love to. I'm thinking
> just take my heat gun and take the clay from freshly thrown to almost
> dry in the quickest possible way???
>
> Thanks in advance for all your help.
>
> Nancy
>
> ______________________________________________________________________
> ________
> Clayart members may send postings to: clayart@lsv.ceramics.org
>
> You may look at the archives for the list, post messages, or change
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James and Sherron Bowen on sun 4 nov 07


Probably torch and stretch.
JB
----- Original Message -----
From: "Lee Love"
To:
Sent: Sunday, November 04, 2007 7:03 AM
Subject: Re: Burning clay as you throw it????


> Do you mean they torch the surface?
>
>
> --
> Lee in Minneapolis, Minnesota USA
>
> "Men are born ignorant, not stupid. They are made stupid by
> education." -- Bertrand Russell
>
> ______________________________________________________________________________
> Clayart members may send postings to: clayart@lsv.ceramics.org
>
> You may look at the archives for the list, post messages, or change your
> subscription settings here: http://www.acers.org/cic/clayart/
>
> Moderator of the list is Mel Jacobson who may be reached at
> melpots2@visi.com
>

Victoria E. Hamilton on sun 4 nov 07


Nancy -

I'm sure Lee has it. The surface is torched to start it drying and then the
vessel is stretched from the inside to create the cracked surface on the
outside. Sometimes dry ash is sprinkled on the form afterwards - makes it
even more rough looking. Or, sodium silicate may be applied to the smooth
wet form before it is torched, then stretched from the inside only to create
the cracked surface on the outside. Make any sense?

Vicki Hamilton
Millennia Antica Pottery
Seattle, WA

-----Original Message-----
From: Clayart [mailto:CLAYART@LSV.CERAMICS.ORG] On Behalf Of Nancy
Sent: Sunday, November 04, 2007 4:54 AM
To: CLAYART@LSV.CERAMICS.ORG
Subject: [CLAYART] Burning clay as you throw it????

I am a member of a guild in NY and at a recent show I saw some pots that
looked like worn bark but only certain areas. Other areas were smooth and
glazed while the bark area had been washed with an oxide. The person who
would share some but not all just said, I burn it right after I throw it.

Can anyone provide me withmore information? I understand it's a pretty
common thing but I've never tried it and would love to. I'm thinking just
take my heat gun and take the clay from freshly thrown to almost dry in the
quickest possible way???

Thanks in advance for all your help.

Nancy

____________________________________________________________________________
__
Clayart members may send postings to: clayart@lsv.ceramics.org

You may look at the archives for the list, post messages, or change your
subscription settings here: http://www.acers.org/cic/clayart/

Moderator of the list is Mel Jacobson who may be reached at
melpots2@visi.com

L. P. Skeen on sun 4 nov 07


The effect is even easier to achieve if you use a "short" claybody. =
Push ONLY from the inside and do NOT touch the outside at all. Steve =
Branfman uses this technique a lot.

L
----- Original Message -----=20
From: James and Sherron Bowen=20

Probably torch and stretch.
JB
----- Original Message -----
From: "Lee Love"
> Do you mean they torch the surface?

Terrance Lazaroff on wed 7 nov 07


>Can anyone provide me withmore information? I understand it's a pretty
>common thing but I've never tried it and would love to. I'm thinking
>just take my heat gun and take the clay from freshly thrown to almost
>dry in the quickest possible way???
>
Nancy
Another texture method.
Throw your cylindar and when the clay is still quit wet, dust it with dry
clay powder, using the same clay body that you use to throw with. This clay
will dry faster than the cylindar. Then balloon out your cylindar and you
will see a great texture.

Terrance
>
>___________________________________________________________________________
___
>Clayart members may send postings to: clayart@lsv.ceramics.org
>
>You may look at the archives for the list, post messages, or change your
>subscription settings here: http://www.acers.org/cic/clayart/
>
>Moderator of the list is Mel Jacobson who may be reached at
melpots2@visi.com